Atomos Ninja V+ 5.2″ 8K HDMI H.265 Raw Recording Monitor

Key Features
– 1920 x 1080 Touchscreen Display
– HDMI 2.0 Input/Output
– Record up to 8K30 ProRes Raw
– H.265 Codec Download License Included
– 10-Bit Exterior Viewable Monitor
– 1000 cd/m² Brightness
– AtomHDR Mode with 10-Stop Dynamic Range
– Records to 2.5″ Mini or Standard SSDs
– 10-Bit 4:2:2 ProRes & DNxHR Encoding
– Single Sony L-Series Battery Slot

If you’re shooting with an 8K camera, then why not record in 8K raw format using the Ninja V+ 5.2″ 8K HDMI H.265 Raw Recording Monitor from Atomos. The Ninja V+ is the same on-camera monitor/recorder as its predecessor the Ninja V 5″, but the Ninja+ now features a 5.2″ display and records and plays back up to 8K raw video to and from purpose-built mini-SSDs.

The Ninja V+ can record Apple ProRes raw up to 8K30 or DCI 4K120 directly from the sensor, and it is compatible with select cameras such as the Canon R5. It also includes a H.265 free-to-download license to record with the high-quality, low-bandwidth codec for up to 10-bit recording in ProRes 4:2:2. Display features include a 10-bit screen with a brightness of 1000 cd/m² AtomHDR technology for accurate monitoring of your log gamma footage, and support for popular log formats from Sony, ARRI, Canon, JVC, Panasonic, Nikon, RED, Sony, and Z CAM cameras.

Built to withstand the rigors of production, the Ninja V+ features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of on-screen exposure analysis, framing, anamorphic de-squeeze, and focus assist tools. Separately available AtomX SDI, AtomX SYNC, Connect 4K modules, and an SDI Raw license key further expand your Ninja V+ capabilities.

New in the Ninja V+
– A new chip supports higher frame rates and resolutions
– ProRes raw recording over HDMI up to 4K120 with Z Cam E2 and E2-M4
– ProRes raw recording over HDMI up to 8K30 with cameras such as the Canon R5 (more camera integrations coming from mid-2021)
– H.265 free-to-download license to provide 10-bit recordings in 4:2:2, 8-bit recordings in 4:2:2 and 4:2:0
XQ: Bit rates up to 350 Mb/s
MQ: Bit rates up to 200 Mb/s
LQ: Bit rates up to 100 Mb/s

5″ Daylight Viewable Screen
– The Ninja V+ features a 5.2″ IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color-calibrated from the factory to ensure accurate image representation.

Recording Codecs Including Raw over HDMI
– Record Apple ProRes and ProRes Raw with select cameras at rates up to 8K30 with select cameras and up to DCI 4K120
– Enables ProRes Raw capture with smaller, more cost-effective, mirrorless cameras
– Avid DNx compatibility enables wide camera and editing software compatibility

Bright 5.2″ Display with AtomHDR
– Display ten+ stops of dynamic range of your camera’s log image with AtomHDR
– 1920 x 1080 display with 1000 cd/m² brightness for daylight viewing
– 10-bit color processing and user calibration
– Supports custom LUTs

DSLR and Mirrorless Camera Support
– Compatible with virtually any HDMI source including cameras from:
ARRI, Canon, FUJIFILM, Nikon, Panasonic, RED, Olympus, Sony, and Z-CAM

8K30 and 4K120 Capabilities
– Record 8K30 or DCI/UHD 4K ProRes raw at rates up to 120 fps, including 24 and 25 fps for a more filmlike aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.

SSD Recording
– Record to standard 2.5″ SSD drives or to compact AtomX SSDmini drives offering up to 2TB storage. SSDmini drives offer read speeds up to 550 MB/s and write speeds up to 500 MB/s, capturing up to 150 minutes of 4K video on a 1TB drive.

User Calibration
– Calibrate with the separately available X-Rite i1 Display Pro tool to maintain optimal color accuracy.

Anamorphic De-Squeeze
– The Ninja V+ supports anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with 2x, 1.5x, 1.33x, or Panasonic 8:3 ratios.

Selectable Markers
– A wide variety of frame lines include standard versions plus 1:1, 4:5, 1:91:1, and 9:16 options.

Game Capture
– Simple, standalone solution for UHD 4K, HDR, and high frame rate game capture and review.

Audio Input/Output
– Input/output audio via HDMI or add external audio via the 3.5mm Line In/Mic In port; output audio using the 3.5mm headphone port for convenient audio monitoring.

Optional Expansion Modules
– AtomX SDI Module for 12G-SDI input and output and HDMI/SDI cross conversion for up to 8K30 ProRes raw video
– SDI Raw activation key
– AtomX SYNC for wirelessly synced, timecoded multicamera capture
– Atomos Connect 4K for HDMI to USB conversion for streaming up to 1080p60

Note: SDI Raw is not supported on Sony FS700, F5, and FS5 cameras.

Supported Log Formats
– ARRI Log C
– Canon C-Log, C-Log 2
– FUJIFILM F-Log
– JVC J-Log
– Nikon N-Log
– Panasonic V-Log
– RED LogFilm
– Sony SLog2, SLog3

HDR Recording (Gamut)
– ARRI Log CEI160, CEI200, CEI250, CEI320,
– ARRI LogCEI400, CEI500, CEI640, CEI800
– ARRI LogCEI1000, CEI1280, CEI1600
– Canon C-Log, C-Log 2, C-Log3
– FUJIFILM F-Log
– HLG
– JVC J-Log1
– Nikon N-Log PQ10K
– Panasonic V-Log
– RED LogFilm, RG310, RG312
– Sony SLog2, SLog3

HDR Monitoring (Gamma)
– ARRI ALEXA Wide Gamut
– BT.2020
– Canon Cinema, DCI P3, DCI P3+, BT2020
– JVC LS300
– Nikon N-Log PQ10K
– Panasonic V-Gamut
– Rec. 709
– RED DRAGONcolor, DRAGONcolor2
– REDcolor2, REDcolor3, REDcolor4
– REDWideGamut
– Sony S-Gamut, S-Gamut3, S-Gamut3.Cine
– Sony SLog2, SLog3

HDR Monitoring (Gamut)
– ARRI ALEXA Wide Gamut (mapping to Rec. 709/BT.2020/DCI-P3 on loop-out)
– BT.2020
– Canon Cinema
– DCI-P3, DCI-P3+
– Panasonic V-Gamut
– Rec. 709
– RED DRAGONcolor, DRAGONcolor2
– REDcolor2, REDcolor3, REDcolor4
– REDWideGamut
– Sony S-Gamut, S-Gamut3, S-Gamut3.Cine

Time-Lapse
Record a time-lapse video as a single file
Available in ProRes, DNx, and ProRes Raw over HDMI or SDI
Time-lapse sequence options include:
– Number of frames/seconds captured
– Intervals between frames/seconds/minutes/hours
– Duration of sequence in frames/seconds/minutes/hours

Monitior Leica L-Log Gamma in BT2020 Gamut
– Supports Leica SL 25 only
– Support for other models available in future updates