NiSi ATHENA PRIME Rewind 50mm T1.9 Full Frame Cinema Lens (PL Mount)

RM4300

  • One Lens. Two Cinematic Personalities – The Rewind delivers a film-inspired vintage character wide open, then transforms into a clean, modern cinema lens when stopped down, giving filmmakers two distinct looks from one lens.
  • Vintage Character with Modern Control – Through deliberate optical design, the Rewind simulates film-era lens characteristics including amplified aberrations, reduced resolution at wide apertures, and enhanced softness for an authentic vintage look without relying on actual old glass.
  • Classic 50mm Standard Perspective – Delivers a field of view that closely matches natural human perception, making it a versatile choice for dialogue scenes, medium close-ups, and narrative storytelling with full-frame coverage and a 46mm imaging circle.
  • Adjustable Stylization via Aperture – Vintage character is strongest at T1.9, progressively diminishes through T2.8 (a balanced sweet spot), and by T5.6–T8 the lens behaves close to a modern cinema lens, providing a creative dial for cinematographers.
  • Pronounced Bubble Bokeh – The 50mm is one of the two focal lengths where the Rewind’s signature bubble bokeh is most pronounced, producing striking bright-edged highlights at wide apertures that fade controllably by T4.0.
  • Warm, Expressive Flares – Flare intensity is significantly increased over the standard Athena Prime with a warm color tone, adding cinematic atmosphere to backlit scenes and practical lighting setups.
  • Color Consistent with Standard Athena Prime – The Rewind’s color rendering closely matches the standard Athena Prime, making it easy to intercut or mix both lens types on set without post-production color correction.
  • 300° Focus Ring with Fluorescent Scales – Precision focus pulls are made easy with 300 degrees of rotation and fluorescent focal markings for visibility in low-light shooting environments.
  • Matched Weight and Size Across All Rewind Lenses – Seamless lens swapping without the need for gimbal rebalancing, rig adjustment, or matte box reconfiguration, saving valuable time on set.
  • Rear Filter Mount for Creative Flexibility – Built-in rear filter slot allows for quick gel and filter changes without disturbing the front of the lens, maintaining a streamlined workflow.
  • Minimal Focus Breathing – Ensures a consistent field of view during focus adjustments, critical for cinematic pull-focus work and professional video production.
  • No Added Chromatic Aberration – While aberrations are amplified for the vintage look, chromatic aberration levels remain unchanged from the standard Athena Prime, delivering style without undesirable fringing.
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